‘Hallelujah’ From Gregory Douglass

Vermont singer Gregory Douglass has shot a video for his latest single, a cover of Leonard Cohen’s Hallelujah. The original is a song that I’m not that big of a fan of. Fortunately, there’s a ton of cover versions out there, and Douglass’s is one of the better ones that I’ve heard recently.

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Fuck Me, Ray Bradbury

This is a short video that’s been circulating the internet about SciFi author Ray Bradbury called Fuck Me, Ray Bradbury. It would be interesting to see Bradbury’s reaction if he actually used the internet. (Him, not so much)

How The West Was … Vol One. – Carbon Leaf

To my surprise last month, I found that Carbon Leaf had split from Vanguard Records, the label that they had worked with for their past three albums, and returned to independent status with their latest album, How the West Was Vol. 1, the first of an ongoing project that will hopefully see them return to some of their earlier roots. This new, short album is the first new Carbon Leaf in a year, since their latest album, Nothing Rhymes with Woman, and represents a nice step back towards some of the sounds of their earlier days.

This is a project that I’ve heard some talk about over the past couple of years: doing a western themed album of Americana songs, but at the time, nothing seemed to come of the rumors and plans. Now, it’s been released independently, where it represents a shift from what has been the typical Carbon Leaf release under Vanguard. The last three records, Indian Summer, Love Loss Hope Repeat and Nothing Rhymes With Woman, were spaced apart by about a year, and represented a series of polished efforts on the part of the group, but also felt somewhat restrained, especially when it came to LLHR, following up with a lot of the stronger points of Indian Summer. Nothing Rhymes with Woman was a much better album as a whole, but it seems that there was already some damage done amongst the band.

Opening with their fantastic song Native America, Carbon Leaf goes right to their strengths: storytelling and a very typical Carbon Leaf sound and feel that goes right back to Indian Summer’s best moments. Some of the group’s absolute best songs: Life Less Ordinary, One Prairie Outpost, Texas Stars, and Lake of Silver Bells (all from their recent albums) are generally concerned with locations and themes that are associated with travelling or of nostalgia, and most of the songs in this current release go towards that direction. The entire theme of How The West Was Vol. 1goes towards the western end of the continent, and throughout the album, there’s a haunting sense of open sky.

How The West Was Vol. 1 takes on a very different sound than some of their recent work. There’s a slower, more deliberate pace to most of the songs here, such as Native America, Crossroads and If I Were A Cowboy, but even songs like Midwestern Girl, with a quicker pace, fits very well with the long catalog of thoughtful Carbon Leaf songs. The real song that’s not like the others is 1 Wolf, 2 Wolf, 3 Wolf, 4, which is a purely instrumental track that is hauntingly beautiful from beginning to end, and lends for a nice pause in the crowded music world.

The physical disc of How The West Was Vol. 1 isn’t released yet for this, but it is available digitally through their website, and it’s well worth listening to as autumn comes up upon us. As this is an ongoing series from the group, I’ll be interested to see how working on their own will change with time, and the eventual How The West Was Vol. 2 is something that will be eagerly awaited indeed.

Native America – Carbon Leaf

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Kirby Krackle and Nerd Rock

There is a growing music scene that I’ve been hearing more from lately, Nerd Rock. There’s been several artists that I’ve really liked: ‘Weird’ Al Yankovich, They Might Be Giants, Jonathan Coulton, Paul and Storm, John Anealio, The Decemberists, amongst others. A new find of mine, Seattle-based duo Kirby Krackle, joins this genre with their two albums, their self-titled debut disc (Kirby Krackle, 2009) and their latest release, E for Everyone (2010).

E for Everyone is possibly one of the best examples of Nerd Rock, with a great alternative – rock sound that sounds incredibly polished and energetic, with songs about superheroes, comic books, video games and geek life. Within minutes of finding the band’s name on twitter, I was able to listen to a couple of their songs off of their website, and within minutes, I had both of their albums off of iTunes. Of all of the bands that I’ve listened to, they’re one of the more exciting, with a great sound and some fantastic lyrics.

The album starts off with Vault 101, about the video game Fallout 3, with a good kick, but the really good start comes with On and On, a song about Wolverine from X-Men, and his own struggle with immortality, thanks to his rapid healing. The rest of the album is a fairly diverse grouping of songs that is much better than their first album. Secret Identity is as it sounds (about a guy with a secret identity – it’s not specific to any one superhero), Roll Over feels like a party song that references just about every 1980s cartoon that I can think of, while Henchman follows a character trying to be a henchman for a super villain – asking some good questions: what are their hours, and what can they offer for health insurance? – Ring Capacity opens with a bright sound and looks to Green Lantern for inspiration. Can I Watch You? Is a funky song about Uatu and Take it from Me is about Mega Man. The last three songs on the album, Great Lakes Avengers, Dusty Cartridges and Long Boxes and Going Home are some of the best songs on the album, if not Nerd Rock in general. Great Lakes Avengers is plain fun: a character tries to join the X-Men, Justice League, Fantastic Four, Green Lantern Corps, (amongst others), while trying to avoid the eye of the Great Lakes Avengers, who are apparently a disaster, being some of the worst superheroes of all time. The album turns from lighthearted fun to more serious fair with the light ballad Dusty Cartridges and Long Boxes, a sweet story of a geek in love with a geeky girl. Going Home ends E for Everyone on a great note about the joy of attending a convention, describing it in the best way that I’ve heard: “We’re on the road, we’re going home/To the place where wild nerds roam/With pretty girls and dudes in capes/Going to cons is our escape.” The sound is chalk-full of energy and feels perfect for blasting over the speakers as one drives over to any given convention. For all of those thinking of attending the upcoming Celebration V or Dragon*Con, this will be a good one to start off with.

Nerd Rock is something that I’ve been looking for, and as I’ve looked, there’s a good variety of material out there. The internet is a good medium for aspiring artists, and in a number of cases, there’s a lot of material that wouldn’t normally work its way through the music industry: as people are able to make music on their own, there seems to be a greater variety of music, which bodes well for the larger geek-community. Artists such as John Anealio and Jonathan Coulton both have had success with their own music, self-released, about various subjects in the speculative fiction genres. Kirby Krackle doesn’t seem to have the same exposure to the fan community, but has gone with their own route, essentially self-publishing their music and selling it through iTunes and their own website, gaining fame in their own circles.

The album succeeds on its own because it’s not a gimmick. Singer-songwriters in general are at their best when they’ve put together a song that they and their audience can get behind and relate to: that’s exactly what Kirby Krackle seems to have done with their two releases, and E for Everyone feels like a refinement over their first album. They’ve found exactly what they want to sing about, and people who will listen to, and they’ve taken off from there. This album exudes confidence, skill and some very good songwriting behind the sound.  The duo, Kyle Stevens and Jim Demonakos, have some serious geek credit with them: Demonakos founded Emerald City ComicCon and has penned a graphic novel and founded a chain of comic book shops in Washington, while Stevens has released six albums with other groups. More importantly though, it sounds like they’re having a good time on stage.

This sub-genre of Nerd Rock is a positive thing for fandom: music is a fantastic venue for telling stories on its own (and Kirby Krackle does this with a couple of songs: Henchmen, Great Lakes Avengers, Dusty Cartridges and Long Boxes and Going Home) but is also a good venue for humor, reflection, and something in the music world for fandom to relate to. The inclusion of science fiction and fantasy elements in songs isn’t a new thing: just look at some of Iron Maiden’s songs for music about Dune, Lord of the Rings, D-Day and quite a bit more, but new artists bring fresh air to fans. I’ve gotten a kick out of a number of songs about some of my favorite things, and a new venue for speculative fiction is a very good thing, because music tells stories differently than prose or video.

The bottom line is: Kirby Krackle is on a roll with E for Everyone, and they’re a band that I hope to hear a lot more from in the coming years. In the meantime, they’ve left me with a fantastic album to listen to over and over.

Originally posted here: https://andrewliptak.wordpress.com/2010/08/09/kirby-krackle-and-nerd-rock/

Kirby Krackle: On and On Video

It’s increasingly easier to simply post up videos, but that will hopefully change at some point, and I will be making it a point to review these guys soon. But for now, check out the video for Kirby Krackle’s first single off of their latest album, E for Everyone, for some fantastic Geek Rock.

Dancing Pigeons – Ritalin

This is just an awesome music video.